Monday morning. The rst autumn frost. We are sitting around a table in the Treku o ces in an eminently rural setting just three kilometres from the Cantabrian Sea.
The table in question is a Treku Aise, with metal legs. The encounter is somewhat paradoxical because at one end of the Aise is Ibon Arrizabalaga, the designer who came up with the idea and then turned it into a reality, and at the other end is Silvia Ceñal, also a designer and the creator of another table for the Zarautz rm, called Basoa. We are obviously here to talk to them about tables, these pieces of furniture that are born from the union of a at top and legs. So simple, yet so complex.
The philosopher Gustavo Bueno once wrote that tables are ‘ oors for hands’, a space created to enable our upper extremities to express themselves, or to simply rest. Tables are a canvas on which to live our creative life, and our everyday life. Tables are also a startlingly simple design that even a child would be able to create. And yet, every year, new designs are born with new nuances. Silvia’s Basoa table was created in a burst of inspiration. ‘You pick up a piece of paper, a pencil, and you start with a line; then you add another…’ No pressure, no impulse to ll a gap in the market, no speci c destination in mind. Created for the mere pleasure of it. Later on, a prototype was produced for her exhibition and it was this that seduced Treku and convinced the brand to include the table in its collection.